Suchergebnisse

Sugiharti Halim (2008) provides a cinematic insight into the lives of Chinese Indonesians whose identities are perpetually labeled as liyan (other) in the eyes of the inlanders (pribumi). It narrates the story of Sugiharti Halim, a Chinese Indonesian girl, who struggles with her Indonesian sounding name which, instead of successfully assimilating her Chinese identity, makes her even more Chinese than before. This study aims to investigate the cinematic portrayal of Chinese Indonesian's ambiguous identity as experienced by the female protagonist. The writer employs close textual analysis of the indie film and approaches the issue by the reading of cinematic codes (mise en scene) and the theoretical perspective of name giving developed by Watzlawik in 2016. The conflict highlited in this "indie" criticizes the position of Chinese filmmaker for being pigeoholed on the ground of their ethnicity as portrayed in most commercial films which put Chinese more as a marginalized group. Therefore, the study reveals that films have become a new means of politicizing the interest of certain ethnic group which somehow puts the Chinese Indonesians in their most vulnerable position. The study also concludes that independent films help the young Chinese filmmakers to reconnect with their Chinese heritage as they begin to pick up bits of their Chineseness which were previously miscontrued by the inherited ideals of the New Order regime.

Sugiharti Halim (2008) provides a cinematic insight into the lives of Chinese Indonesians whose identities are perpetually labeled as liyan (other) in the eyes of the inlanders (pribumi). It narrates the story of Sugiharti Halim, a Chinese Indonesian girl, who struggles with her Indonesian sounding name which, instead of successfully assimilating her Chinese identity, makes her even more Chinese than before. This study aims to investigate the cinematic portrayal of Chinese Indonesian's ambiguous identity as experienced by the female protagonist. The writer employs close textual analysis of the indie film and approaches the issue by the reading of cinematic codes (mise en scene) and the theoretical perspective of name giving developed by Watzlawik in 2016. The conflict highlited in this "indie" criticizes the position of Chinese filmmaker for being pigeoholed on the ground of their ethnicity as portrayed in most commercial films which put Chinese more as a marginalized group. Therefore, the study reveals that films have become a new means of politicizing the interest of certain ethnic group which somehow puts the Chinese Indonesians in their most vulnerable position. The study also concludes that independent films help the young Chinese filmmakers to reconnect with their Chinese heritage as they begin to pick up bits of their Chineseness which were previously miscontrued by the inherited ideals of the New Order regime.

Soziale Netzwerke, Web-Logs und Wikis - das Web 2.0 wird zunehmend von Menschen in ihren Alltag integriert. Wie gestaltet sich die Kommunikation in virtuellen Räumen und die Verknüpfung von Online- und Offline-Lebenskontexten? Verändern sich das Selbst-, Welt- und schließlich das Gottesverständnis des Einzelnen durch die lebensweltliche Präsenz der Social Media? Und vor welchen Herausforderungen steht damit die kirchliche Praxis? Die Beiträge dieses interdisziplinären Tagungsbandes untersuchen, wie in und durch das Web 2.0 Menschenbilder, Kommunikationsweisen und Wertvorstellungen transformiert werden. Die gemeinsame Leitfrage nach dem Personsein im Web 2.0 führt zu Impulsen für eine "Theologie der Social Media", welche zu entwerfen eine der wichtigsten theologischen Herausforderungen der Gegenwart ist.

Pragmatic Imagination and the New Museum Anthropology shifts museum anthropology's relationship to the broader field from marginal to central by revealing the sophisticated transdisciplinary praxis (theory + practice) at the heart of current museum anthropologies.

Out-of-home placement in institutionalised care and returning to the family system present young people and their families with major transformational challenges. This involves affiliations and demarcations, relative autonomy and relative dependence. Based on a qualitative research project, the author explores the question of how family members experience return processes and thereby continually create 'family/families'. She analyses the interactions between the actions, feelings and explanations of young people and parents in interaction with the activities of professional actors and the legally coded structures of child and youth welfare. The empirically and theoretically orientated work links important discussions of child and youth welfare research with current concepts of family research. In particular, a relational model of care in private responsibility and in structures of state child and youth welfare interventions is developed. In addition, suggestions for practice are provided. - Fremdunterbringung in stationären Erziehungshilfen und Rückkehr ins Familiensystem stellen Jugendliche und deren Familien vor gravierende Transformationsherausforderungen. Dabei geht es um Zugehörigkeiten und Abgrenzungen, relative Autonomie und relative Abhängigkeit. Die Autorin geht basierend auf einem qualitativen Forschungsprojekt der Frage nach, wie Familienmitglieder Rückkehrprozesse erleben und dabei 'Familie(n)' laufend herstellen. Sie analysiert die Wechselwirkungen der Handlungen, Gefühle und Erklärungen von jungen Menschen und Eltern in Zusammenspiel mit den Aktivitäten der Fachakteur*innen sowie den rechtlich codierten Strukturen der Kinder- und Jugendhilfe. In der empirisch und theoretisch ausgerichteten Arbeit werden wichtige Diskussionen der Kinder- und Jugendhilfeforschung mit aktuellen Konzepten der Familienforschung verknüpft. Insbesondere wird ein relationales Modell zu Sorge/Care in privater Verantwortung und in Strukturen der Interventionen der staatlichen Kinder- und Jugendhilfe entwickelt. Darüber hinaus werden Anregungen für die Praxis zur Verfügung gestellt.